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KONK Life Theater Review: “Short Attention Span Theatre: Alternative Facts”

The Red Barn Theatre in Key West celebrates its 45th anniversary season with one of its most beloved annual traditions, Short Attention Span Theatre—this year subtitled “Alternative Facts.” 

 

REVIEW OF SAST: “ALTERNATIVE FACTS” AT THE RED BARN THEATER

by Guy DeBoar | April 10, 2025

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Photo by Roberta DePiero

Red Barn Theatre’s “Short Attention Span Theatre: Alternative Facts” Delivers Comedy, Heart, and 45 Years of Excellence

For 45 years, the Red Barn Theatre has been a creative cornerstone of Key West’s cultural landscape, thanks in large part to visionary artists like Mimi McDonald and Joy Hawkins. Both have shaped the theater’s identity, helped nurture local talent, and sustained a reputation for professional-level productions in an intimate space. While Joy Hawkins has stepped back from day-to-day operations, her legacy lives on in every show mounted on the Red Barn stage. Mimi McDonald continues to lead with passion and precision, serving both on and off stage as a guiding force for this enduring theatrical institution.

“Alternative Facts” is a high-energy, fast-moving series of short plays, each offering its own unique twist. It’s a format the Red Barn has mastered over the years, keeping audiences engaged with variety, surprise endings, and characters you can’t forget.

This year’s production is expertly directed by Mimi McDonald, Gary McDonald, Jack McDonald, and Amber McDonald Good—a family of artists whose collaboration is clearly rooted in shared sensibility and deep theatrical intuition. The show features a strong and versatile ensemble: Erin McKenna, Cassidy Timms, Nina Pilar, Mathias Maloff, and Zach Franchini—all of whom handle multiple roles across various genres and tones with impressive dexterity.

The evening opens with “I Saw This in Paducah” by Rich Orloff, directed by Gary McDonald. This clever piece features Erin McKenna and Nina Pilar as two eccentric theatre lovers who obsessively travel across the country in pursuit of one thing: world premieres. What begins as a charming quirk quickly unravels into something more complicated, proving that obsession—especially theatrical obsession—is fertile ground for comedy. Both actors hit just the right tone, blending naive enthusiasm with suspicious intensity, creating a laugh-out-loud opener that sets the stage for the unexpected.

Next is “Clean Slate” by Rajiv Joseph, directed by Mimi McDonald. Cassidy Timms, Mathias Maloff, and Zach Franchini portray characters tangled in a Kafkaesque web of miscommunication, paranoia, and darkly comic bureaucracy. Maloff plays a bewildered news anchor caught in the crosshairs of two overzealous FBI agents investigating a possible media hijacking at KWWP Radio. The skit plays like a fever dream, raising questions about media, trust, and fear. McDonald’s direction ensures that the ambiguity serves the comedy rather than muddling it, and the actors keep the tension high and the audience guessing.

Act One closes with “The Caterers” by Tony Meneses, directed by Amber McDonald Good. Set during a chaotic engagement party where the bride-to-be has vanished, the action unfolds in the kitchen, where the catering staff and family members try to locate both the missing woman and a sense of normalcy. Erin McKenna shines as Garcia, a catering employee who takes a romantic shine to the bride-to-be, Josephine, played with emotional nuance by Nina Pilar. Their flirtation provides a charming and heartfelt undercurrent to the otherwise frantic family drama.

Act Two opens with one of the evening’s strongest comedies, “Veronica’s Test of Worthiness” by Eddie Zipperer, directed by Jack McDonald. Mathias Maloff plays a man so desperate to avoid commitment that he hires a ragtag group of actors to impersonate his dysfunctional family and scare off his girlfriend. Ironically, Cassidy Timms plays Veronica, the unsuspecting fiancée—and in real life, she and Maloff are married. Their real-life chemistry adds an extra layer of hilarity to the performance, and the skit builds to a wildly funny climax that underscores the show’s larger themes: perception, expectation, and chaos.

The penultimate skit is “Incident on the Golden Gate Bridge” by David MacGregor, directed by Gary McDonald. Zach Franchini delivers a heartfelt performance as a troubled young man contemplating his future on the edge of the bridge. Enter Cassidy Timms and Mathias Maloff, whose attempts to talk him down evolve into a deeply human exchange about life’s uncertainties and unexpected revelations. The scene shifts tone beautifully, offering a moment of genuine connection and introspection amid the show’s zanier moments.

The evening concludes with a surprise short piece conceived and directed by Gary McDonald, bringing the entire cast together one last time. This final skit cleverly ties the previous stories together—sometimes literally—reminding the audience of the connective threads (and possibly one particular prop!) that subtly linked each play. It’s a satisfying and smart wrap-up, showcasing the production team’s attention to detail and commitment to narrative cohesion, even in a show made of fragments.

This year’s Short Attention Span Theatre is more than just a collection of quirky vignettes—it’s a reflection of 45 years of artistic innovation, community engagement, and fearless storytelling at the Red Barn Theatre. From set and lighting to costume choices and direction, everything is tight, efficient, and fully realized—no small feat in a show with this much moving parts.

If you’re in Key West this April, don’t miss your chance to see this annual favorite. It’s funny, thought-provoking, and deeply satisfying—not just as entertainment, but as a testament to what community theatre can achieve when it is led by people who care deeply about the craft and the audience.

Show Dates: April 8 – May 3, 2025
Box Office: (305) 296-9911
Tickets & Info: RedBarnTheatre.com
Location: 319 Duval Street, Key West, FL

Join the Red Barn in celebrating 45 years of theatrical excellence. With “Alternative Facts,” they’ve once again proven that short plays can leave a lasting impression.

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Susannah Wells Susannah Wells

RED BARN SHINES WITH “SHORT ATTENTION SPAN THEATRE”

Key West’s Red Barn Theatre found such a gem over a decade ago, and they’ve been letting it shine in most of their seasons since. It’s called “Short Attention Span Theatre”, and it’s proven to be one of the most popular shows the theater offers each year. This season will be no different.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release


Cast of Short Attention Span Theatre: “Alternative Facts”

There’s an old saying in theater: “When you find a gem, let it shine.”

Key West’s Red Barn Theatre found such a gem over a decade ago, and they’ve been letting it shine in most of their seasons since. It’s called “Short Attention Span Theatre”, and it’s proven to be one of the most popular shows the theater offers each year. This season will be no different.

It’s a simple concept – pick a mixed slate of funny, powerful, poignant, or simply off-the-wall short plays and populate them with some of the area’s top comedic talent, then string them together for an evening of stellar fun. Each year, the Red Barn’s resident family – the McDonalds – find six or seven wonderful new plays and pull them together under a title that relates to them all. This year’s theme: “Alternative Facts”, which anyone will agree, certainly is relevant to the times.

“One of the things I love most about Short Attention Span Theatre (SAST),” said the Red Barn’s Managing Director Mimi McDonald, “is that it gives us the opportunity to explore a number of different voices and new playwrights in one show. And it seems to many of us that the human condition is evolving right now, and these playwrights are noticing that and commenting on what’s happening in a very comedic way. And we have such great comedic actors all doing a variety of very funny characters in this one.”

This year’s rendition of SAST will star Erin McKenna, Mathias Maloff, Cassidy Timms, Nina Pilar, and Zach Franchini. They appear in various combinations during the evening of eclectic plays that focus on characters who are in conflict with larger forces – from a catering job for an engagement party with a missing bride; a chance meeting on the Golden Gate Bridge; two audience members who insist on world premieres; a fiancé is put to the test when she meets her possible in-laws; and two FBI agents who interrogate a newscaster when a newsroom is hijacked.

“It’s a fast, fun evening,” said McDonald, “but there’s a message or two in there as well.”

As they do every year, the entire McDonald family shepherds this show to the stage, with each of them directing, building sets, handling the tech, and more. Along with Mimi are her husband Gary, and their two (now adult) children, Amber and Jack.

“We’ve been a theater family for more than 45 years,” Mimi said. “It’s in our blood, and we have such a great time working together on this show. It’s always a big hit.” Or to put it another way – it’s a gem.

Tickets for “Short Attention Span Theatre: Alternative Facts” are available at KeysTix.com, redbarntheatre.com, or by calling the box office at 305-296-9911. Note that all curtain times are 7:30 pm.

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Susannah Wells Susannah Wells

ROMANCE BLOOMS IN THE RED BARN’S CHARMING “BROOKLYN LAUNDRY” BY JOHN PATRICK SHANLEY


It’s been said that chance meetings are often an aphrodisiac moment out of which true love may bloom. That doesn’t guarantee it will be an easy germination, of course…just that there’s an outside chance for an acceptable blossom.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release


man and woman posed smiling

Michael Castellano and Jessica Miano Kruel | Photo by Roberta DePiero

It’s been said that chance meetings are often an aphrodisiac moment out of which true love may bloom. That doesn’t guarantee it will be an easy germination, of course…just that there’s an outside chance for an acceptable blossom.

Playwright John Patrick Shanley endearingly lets us watch such a flowering in his latest play, “Brooklyn Laundry”, running March 4-29 at the Red Barn Theatre in Key West. Shanley, author of the romantic megahit “Moonstruck”, is a master of the charming, imperfect love story, and this play fits his model well.

“Brooklyn Laundry” is about three sisters and a guy who runs a laundry in that New York borough. Fran is a single woman and bone-tired of being so, whose sisters each have their own crosses to bear. Trish is dealing with a threatening illness, and Susie with a dissolving marriage, and each of them is turning to Fran, who is feeling overwhelmed with it all.

Then one day, Fran takes a bag of laundry to the cleaners in her building and runs into the owner, Owen, whose sweetly gruff adorability breaks through her protective barriers and sparks something between them. Owen, too, has had to deal with some unexpected twists in his life, but he uncharacteristically rises to and goes with the moment, asking Fran to dinner. From there on, Shanley takes us on an utterly charming and very funny ride into a story of two people trying to find balance in their lives despite the bumps that come their way.

The Red Barn production stars a quartet of top local actors, including Jessica Miano Kruel, Michael Castellano, Donna Stabile, and Lauren Thompson. It is directed by Joy Hawkins, the Barn’s artistic director.

“It’s a beautiful play,” Hawkins said, “nicely written, funny, tender, and heartwarming. It does deal with some situations we sometimes have to deal with in life, and it might bring some tears here and there, but you’ll leave the theater feeling really good. It’s very life-affirming, with characters you can really root for.”

The New York Times called the play “Utterly charming.” The New York Theatre Guide said, “Forget the dating apps – maybe the laundromat is the place to find your next great love…”.

Tickets are available at KeysTix.com, or at redbarntheatre.com. For more information, call the box office at 305-296-9911. All shows for the March 4-29 run are at 7:30 pm. The production is sponsored in part by Florida Arts and Culture, and the Monroe County Tourist Development Council.

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Susannah Wells Susannah Wells

MYSTERY ABOUNDS IN RED BARN’S “MS. HOLMES, MS. WATSON, APT.2B”

Everyone loves a good mystery. And who better to confound us with one than Sir Arthur Conan Doyle, who then sends his most famous detective, Sherlock Holmes, to unravel even the most convoluted of mysteries for us?

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release


Mariah Woessner and Susannah Wells | Photo by Roberta DePiero

Everyone loves a good mystery. And who better to confound us with one than Sir Arthur Conan Doyle, who then sends his most famous detective, Sherlock Holmes, to unravel even the most convoluted of mysteries for us?

Ah, but there’s a hilarious rub in all of this! In the Red Barn Theatre’s latest offering of their 45th remarkable season – “Ms. Holmes, Ms. Watson, Apt. 2B”, running January 28 through February 22 – we are presented with a tale that cheerfully desecrates the stories of Conan Doyle in a most unusual and very funny way.

Because in Kate Hamill’s energetic play, the world’s most famous detective is a frazzled female police consultant whose dazzling deductions astound everyone. She takes on a new roommate – a wayward American who Holmes determines is running from a past where she used to be a doctor and needs a little help and refocusing. Portrayed as a deeply co-dependent, quasi-dysfunctional Odd Couple, this duo proceeds into a fast-paced and wildly entertaining romp through multiple violent crimes that all seem to lead to notorious villains.

The pair solve a variety of these crimes, from the murder of a man found in a motel to the case of a right-wing politician who cheated on his wife. It’s a blend of classic theater and modern comedy that balances mystery with laugh-out-loud humor, playfully dismantling and, at the same time, celebrating the conventions of Conan Doyle’s stories.

“We’re really having a good time,“ said director Mimi McDonald. “The intimacy of the Red Barn allows the audience to take the ride with the actors. At the heart of it is a real mystery, with twists and turns, and a few real surprises. We know the audience is going to have a ball solving the mystery right along with us.”

Susannah Wells, one of Key West’s best comedic actresses, stars as Ms. Sherlock Holmes, and Mariah Woessner is the perfect complement as Ms./Doctor Watson. Joining them and playing a number of unexpected and mysterious/villainous characters are Arthur Crocker and Morgan Fraga Pierson, both no slouches when it comes to comedic chops.

”One thing I’m sure everyone will love are the costumes,” said McDonald, who commissioned iconic Key West costumer Gary Marion – better known as Sushi – to create original costumes for the play. “They’re really something – a kind of apocalyptic theme and a warrior vibe, that adds another whole dimension to the story.”

Called “…laugh-out-loud funny, incredibly clever, inherently theatrical, and a delight from start to finish..” and “…sharp, playful, and moves at a rapid-fire pace…” by the Portland Monthly, “Ms. Holmes, Ms. Watson, Apt. 2B” is a great way to spend an evening deducting, finding clues, and solving mysteries. The game’s afoot!

Running January 28 through February 22. All curtains are at 7:30 pm. Tickets at keystix.com. For more information, call the Red Barn box office at 305-296-9911.

Sponsored in part by the William L. Monroe III Foundation, and the Monroe County Tourist Development Council.

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Susannah Wells Susannah Wells

VOCALIST CHRISTINE MILD RETURNS TO THE RED BARN WITH A STELLAR NEW SHOW

Vocalist Christine Mild, who has wowed Red Barn audiences for the last several years with her “Always, Patsy Cline” and “Women of Country Music” shows, will be returning to the Barn January 15-18 with her brand new show, “A Little Bit Country, A Little Bit Rock ‘n’ Roll.” All show times are 7:30 pm.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release


Vocalist Christine Mild, who has wowed Red Barn audiences for the last several years with her “Always, Patsy Cline” and “Women of Country Music” shows, will be returning to the Barn January 15-18 with her brand new show, “A Little Bit Country, A Little Bit Rock ‘n’ Roll.” All show times are 7:30 pm.

While Mild’s heart has always rested in country music, she says she always tries to bring “a little something new” to each of her stops in Key West, and this year will be no different.

“I’ll never stray too far from country music, of course,” Mild said, “but with this new show, we’re going to be expanding the boundaries a little bit, which has been happening in the music business over the last couple of years, with Dolly Parton releasing a rock album, and Beyonce and Lady Gaga releasing country albums. The lines are getting blurred and an awful lot of good music is coming out.”

Mild said she’ll still be featuring country touchstones, focusing on female artists like Faith Hill, Carrie Underwood, Jody Messina, and Shania Twain, but “we’ll be adding in friends like Bonnie Raitt, Linda Ronstadt, Patty Smith, and even some Heart. It’s all great music.”

And as usual, Mild will have a kickin’ band with her, featuring her regular sidemen – Jim Rice on keyboards, Gary Rivenson on bass, and Gary McDonald on drums. But she’s expanding the group for this show with some top-level name players. She’s bringing in British guitarist Matt Backer, who’s played with a number of top recording artists. And one of her best friends, Chicago vocalist Erin Parker, will be on stage to add the extra dimension of another female voice for harmonies. The sound will be bigger and richer, more a concert event than a small group.

“I always want to bring Key West something new, and this is going to be an awesome show, given all the new pieces in the band and the music that we’ll be doing. You’re going to know a lot of this music, but we’ll surprise you with a few new things I know you’re going to like.”

Tickets are available now for the best seats at keystix.com or redbarntheatre.com. For more information, visit the website or call 305-296-9911. Remember that all shows at the Red Barn now have a curtain time of 7:30 pm. Sponsored in part by William L. and Pattye Monroe III, and the Monroe Country Tourist Development Council.

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Susannah Wells Susannah Wells

RED BARN LANDMARK 45TH SEASON OPENS WITH THE HILARIOUS “THE FOREIGNER”

Key West’s venerable Red Barn Theatre opens its 45th season literally with a bang and a houseful of laughs when it presents a new production of Larry Shue’s hilarious, award-winning “The Foreigner”, opening Thursday, December 12th and running through January 11 next year. All shows will be at the theater’s new curtain time of 7:30 pm.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release


Key West’s venerable Red Barn Theatre opens its 45th season literally with a bang and a houseful of laughs when it presents a new production of Larry Shue’s hilarious, award-winning “The Foreigner”, opening Wednesday, December 18th and running through January 11 next year. All shows will be at the theater’s new curtain time of 7:30 pm.

The season also marks a milestone for the Red Barn’s Mimi and Gary McDonald and Joy Hawkins, who have guided the small but well-respected playhouse for all of its nearly half a century, an accomplishment rarely achieved in today’s theatrical landscape. Notables who have worked with them at the Barn through the years include Tennessee Williams, Shel Silverstein, Tony Roberts, Paul Cotton, Terri White, and a dozen other names that have made their larger marks in the entertainment industry.

“We’re really excited about this upcoming forty-fifth season,” said Joy Hawkins, the Barn’s artistic director. “It’s an eclectic and surprising season -- funny and deep and particularly right for these times. “

“The Foreigner”, winner of two Obie Awards and the Outer Critics Circle Award, uses the clever conceit of the audience knowing more than the characters on stage to create its fun, while also weaving in rich elements of suspense and a little mystery as the story plays out.

The scene is a fishing lodge in rural Georgia often visited by “Froggy” LeSueur, a British demolition expert who occasionally runs training sessions at a nearby army base. This time Froggy has brought along a friend, a pathologically shy man named Charlie who is overcome with fear at the thought of making conversation with strangers. So before departing, Froggy tells all assembled that Charlie is from an exotic foreign country and speaks no English. Once alone, the fun really begins, as Charlie overhears more than he should from those who feel secure he doesn’t understand a word being said. That he does fuels the nonstop hilarity of the play and sets up the wildly funny climax in which things go uproariously awry for the bad guys, and the good guys emerge triumphant.

“The Foreigner” stars David Black, Chase Naylor, Cassidy Timms, Thomas Masat, Brian Robinson, and Iain Wilcox. It will be directed by Joe Kinosian, who Key West theater buffs will remember as the writer and star of “Murder For Two”, the outrageous and very funny two-man show that played the Red Barn in 2017. Kinosian, invited by artistic director Joy Hawkins to return and direct this opening show, is thrilled to be back in Key West.

“It’s a hilarious and very funny play – probably one of the funniest ever written,” Kinosian said, “but it’s also one of the most moving stories I’ve seen. The audience will be surprised by how much they like the characters and are rooting for them against all odds. It’s one of a kind.”

The New Yorker said “The Foreigner is once comic surprise after another.” And The Village Voice said of the play, “It’s a constant invitation to laugh at the foolishness of life.”

Subscriptions and single show tickets are now on sale for “The Foreigner” and the Red Barn’s entire season at KeysTix.com, redbarntheatre.com, or by calling the box office at 302-296-9911.

Be aware that for this new season, the Red Barn has set curtain time at 7:30 pm for all shows.

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Susannah Wells Susannah Wells

RED BARN KICKS OFF ITS LANDMARK 45TH SEASON OF PROFESSIONAL THEATRE IN KEY WEST

Few regional professional theaters get the chance to celebrate nearly a half a century of bringing top-notch shows and talent to their stage. Most just don’t last that long. But that claim will be made this year as Key West’s Red Barn Theatre kicks off its landmark 45th Season this fall with a solid line-up of drama and comedy starring the exceptional acting talent of our area.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release


Few regional professional theaters get the chance to celebrate nearly a half a century of bringing top-notch shows and talent to their stage. Most just don’t last that long. But that claim will be made this year as Key West’s Red Barn Theatre kicks off its landmark 45th Season this fall with a solid line-up of drama and comedy starring the exceptional acting talent of our area.

“It’s hard to believe it’s been that long,” said Mimi McDonald, the Barn’s managing director. “It seems like just yesterday when we decided to get together to do some theater. Who knew we could keep things so alive and fun for so long?”

That vibrant energy such an accomplishment takes will be front and center with the Barn’s new season, which kicks off in December with a slate of strong, new plays, bolstered by some unique special events that promise to keep the Barn’s stage exciting. Subscriptions and single show tickets are now available at KeysTix.com, if you want to get a head start on the best seats.

First up is the “The Foreigner,” by Larry Shue, a hilarious tale of mistaken identity with a touch of sinister intrigue thrown in. Two gentlemen arrive at a run-down guest house in Florida only for one of them – extremely shy – to be introduced as a foreigner who speaks no English. A comedy of errors ensues which folds in local political strife in the form of white supremacists and a widow being swindled out of her inheritance.  The play, which won two Obie awards and two Outer Critics Circle Awards, runs December 12 through January 11, 2025, and stars David Black, Marjorie Paul Shook, Cody Borah, Cassidy Timms, Thomas Masat, and Anthony Morales Escobar.

The first Special Event of the season follows for four days only, January 15 to 18.  Red Barn favorite Christine Mild (“Always, Patsy Cline”) returns with her new show, “A Little Bit Country, A Little Bit Rock ‘n’ Roll”, which will feature Mild’s knockout voice on an eclectic mix of country and rock and roll favorites made famous by some of the iconic women of the two genres. Pianist/Musical Director Jim Rice and his band will provide the musical accompaniment.

Next up January 28 through February 22 is “Ms. Holmes, Ms. Watson, Apt. 2B”, a fast-paced and wildly entertaining new play by playwright Kate Hamill. It takes place in present-day Baker Street, where steampunk hipster Shirley Holmes and her spunky new roommate, Joan Watson, become entangled in a series of cases all related to the same supervillain, who always seems to be one step ahead of them. The play stars Key West favorites Susannah Wells, Mariah Woessner, Arthur Crocker, and Morgan Fraga Pierson, and will be directed by Mimi McDonald.

March 4 through 29 will feature the remarkable comic drama, “Brooklyn Laundry” by lauded playwright John Patrick Shanley (“Doubt”, “Moonstruck”). Shanley's latest is about three sisters, a guy who runs a laundry in Brooklyn, and the sometimes savage tricks life plays on them. Tragic and funny by turns, this story will remind you what is important in life... and the sorrow and joy of fully embracing adulthood. Directed by Red Barn artistic director Joy Hawkins, the play will star Jessica Miano Kruel, Michael Castellano, Donna Stabile, and Lauren Thompson.

The final mainstage show of the new season will be updated version of a perennial favorite – “Short Attention Span Theatre, the 2025 Edition”. It runs April 8 to May 3 and features its always-intriguing blend of fresh, new, pertinent short plays. Stars are yet to be determined but will feature some of Key West’s top talent in over-the-top performances that always delight audiences.

Two other Special Events are planned for the new season. February 9 and 10 will feature an all-new “BASSically Incorrect” show by acclaimed bassist Vail Johnson. His previous shows at the Barn were complete sellouts. And February 16 and 17 will bring hilarious homegrown standup comedian Gerri Louise to the Barn stage with her new show, “Senior Moments or What the Hell Happened?”. Be ready to laugh ‘til it hurts.

Subscriptions and single show tickets are now on sale for all events at KeysTix.com. Be aware that for this new season, the Red Barn has set curtain time at 7:30 pm for all shows.

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Susannah Wells Susannah Wells

A PERSONAL REQUEST FROM THE RED BARN THEATRE

As we begin to prepare our remarkable 45th Season as one of the oldest and most successful professional theaters in the Florida Keys, we find ourselves thinking about how much this incredible arts community has supported us in the past and how we hope you'll consider doing so again now.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release


As we begin to prepare our remarkable 45th Season as one of the oldest and most successful professional theaters in the Florida Keys, we find ourselves thinking about how much this incredible arts community has supported us in the past and how we hope you'll consider doing so again now.

We are so grateful to have had the support of that community through the years as we've grown, welcoming and presenting not only the finest homegrown talent our area offers, but also artists who have been a part of our family and gone on to stellar careers in stage, film, and television.

True talents like Tennessee Williams, who worked and played with us in our very early formative days; film and Broadway star Tony Roberts; writer, poet, playwright Shel Silverstein; Poco member Paul Cotton, who played our stage many times; and so many more.

And we couldn't have done any of it without you. Your financial support - through your donations and ticket purchases - has made it possible for us to bring all this talent and these funny, poignant, thrilling plays to our stage. We are so very proud of what we've been able to accomplish with your help.

Now, because of a critical, unexpected development, we need to ask for your support again.

As many of you may know, state funding for the arts - ALL the arts in the state of Florida - bas been decimated by the stroke of a pen in Tallahassee, including what was earmarked as a large part of our budget for this landmark 45th season we have planned for you, and which we'll be announcing soon.

Only about a third of our budget is garnered from ticket sales. The rest we gather through grants like that we just lost - and most importantly - direct donations from the community we have been proud to serve for nearly half a century.

The Red Barn has always been here for you.

You always know what you're going to get with us - top-tier, award-winning plays, terrific performances by top local, regional, and national actors and performers, a welcoming, intimate theater space unlike any other in the Keys or beyond, a warm, belpful staff, and an organization that bas been proud and honored to be a part of your community for 45 years.

If you would like to be a part of this remarkable theater and play an important role in belping us continue to present the talent and plays you expect from us, please consider making a donation today. Anything you can offer will be greatly appreciated.

And it's easy to do. Just click the Donation link below to make a contribution of any amount. Know that you will be playing an integral part in making sure the Red Barn continues to provide you and your community with the quality of theater you deserve. You will bave our 45 years of accumulated thanks.

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Susannah Wells Susannah Wells

RED BARN’S “LIFESPAN OF A FACT” HAS RELEVANCE FAR BEYOND A VERY FUNNY STAGE PLAY

In a world where war, disease, famine, diversity, equality, AI, and God knows what else is piled on the plate in front of us, there may be one issue in that stew of concerns that trumps them all: Is any of what we’re being told in the media about anything entirely true?

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release


Cast from Left to Right: Cody Borah, Rita Troxel, Dave Bootle

In a world where war, disease, famine, diversity, equality, AI, and God knows what else is piled on the plate in front of us, there may be one issue in that stew of concerns that trumps them all: Is any of what we’re being told in the media about anything entirely true?

In the final main stage production of their remarkable 44th season, the Red Barn Theatre in Key West takes this controversy head on with “Lifespan of a Fact”, an intriguing and humorous offering that has obvious relevance in this era of alternative facts. The play, written by Jeremy Kareken, David Murrell, and Gordon Farrell, runs April 9 – 27, and is adapted from a 2012 book by the real men portrayed in the play about a real incident in Nevada.

The play stars top local actors Dave Bootle, Cody Borah, and Rita Troxel. It’s directed by the Barn’s artistic director, Joy Hawkins. And be advised: All curtain times are 7 pm instead of the normal 8 pm.

“It’s a very unique play,” said Hawkins. “I can’t compare it to anything else. It’s not a tie-it-up-in-a-bow kind of theater. You have to figure out for yourself what you think.”

The story starts off innocuously enough – Jim is a fresh-out-of-Harvard, eager beaver fact checker hired by Emily, a struggling magazine’s top editor, to fact-check an article submitted by the well-known and talented writer, John. The piece is centered around an indisputable incident: a 16-year-old boy is dead, having jumped from the observation deck of Las Vegas’ Stratosphere Hotel and Casino. Beyond that is where things get sticky.

Turns out John has inserted unnecessary lies into his work under the guise of “artistic license” – for instance, was the casino deck actually 1100 feet high or far shorter, and did the boy’s death connect with other phenomena that day – like banned lap dances, the world’s oldest Tabasco bottle, or a tic-tac-toe-playing chicken named Ginger?

“I’m not interested in accuracy,” says John. “I’m interested in truth.” And woe to anyone who calls his shattering essay an “article”. He is not cool with anyone tampering with his copy, insisting that 100 percent accuracy in names, dates, and specific incidents is less important than rhythm, music, and beauty in the language.

But Jim – out to prove himself – is not having any of it, and poor Emily is caught in the middle, concerned only with saving her magazine and knowing a sensational piece by the acclaimed John could prop up shrinking ad sales and disappearing subscriptions. What should she do?

The action is brisk, with plenty of sharp and funny repartee, sometimes unfolding like a taut thriller, but always coming back to the main question – do you undermine yourself by fiddling with the facts, or do you allow whatever is necessary to find the “higher truth” – the music of a boy’s tragic death?

Who’s to say which one of them is speaking the kind of truth that really matters? You’ll have to decide for yourself.

The Washington Post called the play “buoyantly literate…briskly entertaining.”  Variety said “…terrifically funny dialogue…the debate at the heart of the play demands serious attention.”

Tickets for “Lifespan of a Fact” are available at redbarntheatre.com or by calling 305-296-9911. Remember that all curtain times are 7 pm.

The show is sponsored in part by Design Key West, Culture Builds Florida, and the Monroe County Tourist Development Council.

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Susannah Wells Susannah Wells

NATIVE AMERICAN PLAYWRIGHT LARISSA FASTHORSE: HER “THE THANKGIVING PLAY” IS FULL OF SUGAR AND MEDICINE

Fasthorse, who belongs to the Sicangu Lakota Nation, was born in San Francisco, but left there as an infant.
“I grew up in South Dakota,” she said, “where my Lakota people are from, but I was adopted at a young age – an open adoption to a white family who had worked on the reservation for a long time.

Playwright Larissa FastHorse

The Red Barn Theatre in Key West has had a lot of firsts in its illustrious 45-year history. But with their current main stage offering, they have added a pretty prestigious entry to that long list.

Currently running through March 30, the Barn is presenting “The Thanksgiving Play”, written by Larissa Fasthorse, the first Native American woman to have a hit show produced on Broadway. It has become one of the most-produced plays in America this season.

Fasthorse, who belongs to the Sicangu Lakota Nation, was born in San Francisco, but left there as an infant.

“I grew up in South Dakota,” she said, “where my Lakota people are from, but I was adopted at a young age – an open adoption to a white family who had worked on the reservation for a long time. I was always raised very aware of my Lakota identity and my Lakota culture, and they brought a lot of mentors into my life, as well as tribal elders, to help me stay connected.”

Fasthorse first started a career as a ballet dancer, but an injury forced her to rethink her life track. Returning to an earlier interest in writing proved to be the key to enormous success.

Fasthorse created a trilogy of cultural plays, commissioned and produced by Cornerstone Theater Company, a nationally-recognized company based in Los Angeles. The first was “Urban Rez”. The second was “Native Nation”, which became the largest Indigenous theater production in the history of American theater. That opened all the doors, with productions at prestigious theaters like The Public, Yale Rep, the Guthrie, the Geffen, Kennedy Center, Baltimore’s Center Stage, and Berkeley Rep, among many others.

And she’s recently moved into film and television, writing and working for Universal, Paramount, NBC, and now Apple TV and “Yellowstone” creator Taylor Sheridan’s Taylor Made Productions.

“The Thanksgiving Play” was inspired by the state of Florida’s banning the teaching of anything that might cause a child to feel guilty or be upset…particularly the history of Indigenous Peoples.

“I call it ‘performative wokeness,” Fasthorse said. “These are white folks, liberal folks, trying hard to do everything right, but getting everything wrong.”

Which is the very premise of “The Thanksgiving Play”, a hilarious play infused with looks at tough topics, about a group of well-intentioned white adults trying to create a children’s play about the Pilgrim’s first Thanksgiving while blending it with the viewpoint of the Native Americans they supposedly interacted with on that day. But their terminal wokeness thwarts them at every turn until it all explodes with a hilarious ending that must be seen.”

“The thing that I keep saying,” Fasthorse said, “and that is very important to me in this play, is, first, it’s fun, and you get to have a good time in the theater. And second, I would say that’s the sugar, and then there’s the medicine. It’s satire. It’s a comedy within a satire The satire is the medicine.”

The Red Barn’s production clearly has a large dose of the sugar, with audiences laughing out loud throughout the play. But the message is also crystal clear, which makes the play all the more potent, honoring not only her ancestors but also offering – in a very funny way – a commentary on how far into absurdity wokeness has traveled.

Tickets for “The Thanksgiving Play” are available at redbarntheatre.com or by calling 305-296-9911.

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