REVIEW OF SAST: “ALTERNATIVE FACTS” AT THE RED BARN THEATER
by Guy DeBoar | April 10, 2025
Photo by Roberta DePiero
Red Barn Theatre’s “Short Attention Span Theatre: Alternative Facts” Delivers Comedy, Heart, and 45 Years of Excellence
For 45 years, the Red Barn Theatre has been a creative cornerstone of Key West’s cultural landscape, thanks in large part to visionary artists like Mimi McDonald and Joy Hawkins. Both have shaped the theater’s identity, helped nurture local talent, and sustained a reputation for professional-level productions in an intimate space. While Joy Hawkins has stepped back from day-to-day operations, her legacy lives on in every show mounted on the Red Barn stage. Mimi McDonald continues to lead with passion and precision, serving both on and off stage as a guiding force for this enduring theatrical institution.
“Alternative Facts” is a high-energy, fast-moving series of short plays, each offering its own unique twist. It’s a format the Red Barn has mastered over the years, keeping audiences engaged with variety, surprise endings, and characters you can’t forget.
This year’s production is expertly directed by Mimi McDonald, Gary McDonald, Jack McDonald, and Amber McDonald Good—a family of artists whose collaboration is clearly rooted in shared sensibility and deep theatrical intuition. The show features a strong and versatile ensemble: Erin McKenna, Cassidy Timms, Nina Pilar, Mathias Maloff, and Zach Franchini—all of whom handle multiple roles across various genres and tones with impressive dexterity.
The evening opens with “I Saw This in Paducah” by Rich Orloff, directed by Gary McDonald. This clever piece features Erin McKenna and Nina Pilar as two eccentric theatre lovers who obsessively travel across the country in pursuit of one thing: world premieres. What begins as a charming quirk quickly unravels into something more complicated, proving that obsession—especially theatrical obsession—is fertile ground for comedy. Both actors hit just the right tone, blending naive enthusiasm with suspicious intensity, creating a laugh-out-loud opener that sets the stage for the unexpected.
Next is “Clean Slate” by Rajiv Joseph, directed by Mimi McDonald. Cassidy Timms, Mathias Maloff, and Zach Franchini portray characters tangled in a Kafkaesque web of miscommunication, paranoia, and darkly comic bureaucracy. Maloff plays a bewildered news anchor caught in the crosshairs of two overzealous FBI agents investigating a possible media hijacking at KWWP Radio. The skit plays like a fever dream, raising questions about media, trust, and fear. McDonald’s direction ensures that the ambiguity serves the comedy rather than muddling it, and the actors keep the tension high and the audience guessing.
Act One closes with “The Caterers” by Tony Meneses, directed by Amber McDonald Good. Set during a chaotic engagement party where the bride-to-be has vanished, the action unfolds in the kitchen, where the catering staff and family members try to locate both the missing woman and a sense of normalcy. Erin McKenna shines as Garcia, a catering employee who takes a romantic shine to the bride-to-be, Josephine, played with emotional nuance by Nina Pilar. Their flirtation provides a charming and heartfelt undercurrent to the otherwise frantic family drama.
Act Two opens with one of the evening’s strongest comedies, “Veronica’s Test of Worthiness” by Eddie Zipperer, directed by Jack McDonald. Mathias Maloff plays a man so desperate to avoid commitment that he hires a ragtag group of actors to impersonate his dysfunctional family and scare off his girlfriend. Ironically, Cassidy Timms plays Veronica, the unsuspecting fiancée—and in real life, she and Maloff are married. Their real-life chemistry adds an extra layer of hilarity to the performance, and the skit builds to a wildly funny climax that underscores the show’s larger themes: perception, expectation, and chaos.
The penultimate skit is “Incident on the Golden Gate Bridge” by David MacGregor, directed by Gary McDonald. Zach Franchini delivers a heartfelt performance as a troubled young man contemplating his future on the edge of the bridge. Enter Cassidy Timms and Mathias Maloff, whose attempts to talk him down evolve into a deeply human exchange about life’s uncertainties and unexpected revelations. The scene shifts tone beautifully, offering a moment of genuine connection and introspection amid the show’s zanier moments.
The evening concludes with a surprise short piece conceived and directed by Gary McDonald, bringing the entire cast together one last time. This final skit cleverly ties the previous stories together—sometimes literally—reminding the audience of the connective threads (and possibly one particular prop!) that subtly linked each play. It’s a satisfying and smart wrap-up, showcasing the production team’s attention to detail and commitment to narrative cohesion, even in a show made of fragments.
This year’s Short Attention Span Theatre is more than just a collection of quirky vignettes—it’s a reflection of 45 years of artistic innovation, community engagement, and fearless storytelling at the Red Barn Theatre. From set and lighting to costume choices and direction, everything is tight, efficient, and fully realized—no small feat in a show with this much moving parts.
If you’re in Key West this April, don’t miss your chance to see this annual favorite. It’s funny, thought-provoking, and deeply satisfying—not just as entertainment, but as a testament to what community theatre can achieve when it is led by people who care deeply about the craft and the audience.
Show Dates: April 8 – May 3, 2025
Box Office: (305) 296-9911
Tickets & Info: RedBarnTheatre.com
Location: 319 Duval Street, Key West, FL
Join the Red Barn in celebrating 45 years of theatrical excellence. With “Alternative Facts,” they’ve once again proven that short plays can leave a lasting impression.