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For further information, call: Bob Bowersox at 302-540-6102

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Photo by: Roberta DePiero

Actors: (back row, l to r): Jack McDonald, Iain Wilcox, and Mathias Maloff | (front row, l to r): George DiBraud, Susannah Wells, Tim Dahms, and Cassidy Timms

Imagine Hopalong Cassidy trying to date Carrie, or Miss Kitty chasing Chuckie around the corral with a meat cleaver in an Addams Family version of “Gunsmoke,” and you may get close to the outrageous fun and outright craziness awaiting you in the Red Barn’s next production.

“Flaming Guns of the Purple Sage”, written by the always-hilarious and rapier-sharp Jane Martin (“Says She”), opens January 31 and runs Tuesdays through Saturdays through February 25. It’s a preposterous mash-up of B-movie westerns and C-movie horror flicks that will literally have you laughing until you cry, even while you’re sitting in disbelief at what you’re seeing on stage.

“I just love its audacity,” said director Joy Hawkins. “It’s unlike anything I’ve ever directed before. It’s full of macabre people you love and hate at the same time. We can’t get through a rehearsal without laughing ‘til our sides ache.”

Without giving away too much (because the surprises are everything in this tale), “Flaming  Guns” tells the story of Big 8, a retired rodeo star who’s trying to keep her home from being foreclosed on. Living with her is Rob Bob, a rising young rodeo star (think more Gomer Pyle than John Wayne). Into this household comes SheDevil (her choice of name) who is pregnant by Big 8’s ne’er-do-well son, Lucifer Lee. But SheDevil is being hunted down by her very angry Ukrainian biker boyfriend, Black Dog, and when he shows up, things really begin to get interesting.

“Be aware,” Hawkins said, “that there is, indeed, a lot of violence and blood and sex all mixed in, but it’s done in a very farcical and satirical way. Be advised -- it’s definitely for adults…I wouldn’t bring the kids. But it’s a very cleverly-written send-up of those old B-movie Westerns and horror flicks. This is all fun and laughs about how crazy – in a very funny way -- human beings can be.”

The play stars a terrific mix of Key West’s best comedic actors, including George DiBraud, Susannah Wells, Mathias Maloff, Tim Dahms, Cassidy Timms, Iain Wilcox, and Jack McDonald. Hawkins directs and Carmen Rodriguez will be designed the western duds.

Curtain Up called it “a crowd-pleaser that keeps the audience howling”. The Courier-Journal calls it “hilarious and rip-snortin’”, and Concord Theatricals dubs it a “shoot ‘em up, knock ‘em up, cut ‘em up comic romp.”

Tickets are available now at redbarntheatre.com or by calling 305-296-9911. Sponsored in party by the Smith Law Firm, Culture Builds Florida, and the Monroe County Tourist Development Council.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release

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As Key West’s Red Barn Theatre steps into their remarkable 43rd consecutive season of professional theater in the southernmost city, they’ll be celebrating that milestone with one of their biggest parties ever and you’re invited.

“Big Night Out – The Party”, is shaping up to be one of the Red Barn’s grandest evenings and will feature special performances by some of Key West’s favorite musical stars, including Randy Roberts, Christine Mild, and Jim Rice.

Set for Sunday, January 15th, the festivities will run 6 – 9 pm at the Oldest House, 322 Duval Street in Key West. Tickets are available now at redbarntheatre.com/tickets.

“We’re known for giving great parties,” said Mimi McDonald, managing director of the Barn. “We’ll be in the new, extensively renovated Oldest House on Duval, and have some tasty drinks and food planned. We’re pulling out all the stops to make it a glittering theatre party.”

Providing the special entertainment for the evening will be a trio of musical stars. Key West star Randy Roberts will make an appearance, accompanied by pianist/arranger Jim Rice, as will Red Barn favorite Christine Mild, well-known for her performances as Patsy Cline in the popular “Always, Patsy Cline” productions at the theater.

“I’ll be doing some Patsy Cline teasers,” said Mild, “and lace in some other feel-good tunes that are fun and entertaining for that kind of event. But I’m really looking forward to also working up some things with Randy. We’ve been friends for years but have never had the chance to work together. It will be very special.”

“It will definitely be fun,” Roberts added. “We’ll have a good time.”

Destination Catering will be providing a tantalizing array of tapas-style small plates for the evening, and the Red Barn is providing an Open Bar for all attendees. In addition to the appearances by Roberts and Mild, music will be provided by theatrical music arranger Jim Rice.

A Silent Auction is also planned for partiers to peruse, which will include Staycation Packages, Restaurant Packages, and a special auction of a Mario Sanchez painting.

“Big Night Out – The Party” is the annual fundraiser for the Red Barn, one of the theater’s more important sources for the funding needed to continue providing the high-quality theater they do. Ticket sales to shows only provide a portion of the annual operating expenses, so evenings like this are important to the ongoing health of the theater.

“It’s a wonderful way to show your support,” said Michelle Chennault, a Red Barn Board member and chairperson of the Big Night Out planning committee, “and you’ll have a glamorous time as well. We look forward to entertaining you.”

The Red Barn Theatre is a 501.c.3 non-profit organization.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release

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In the 21st Century’s fast-paced digital culture, the personal letter, handwritten on fine stationery from one person to another, has all but disappeared -- become a lost art few seldom indulge in anymore. Emails, texts, Tweets, Instagrams, connection apps – these are the main means of communication between people in a world increasingly dominated by the code of a metaverse we no longer actually touch.

Perhaps this was on the mind of playwright Ken Ludwig when he sat down last year to pen his Helen Hayes Award Winning play, “Dear Jack, Dear Louise.” Because the heart of the play is about just that – personal, handwritten letters that passed between a World War II Army doctor and a Broadway starlet working at the Stage Door Canteen in New York during the war. And they’re not just any letters – these were epistles that formed the joyous, heartwarming story of Ludwig’s parents’ long-distance courtship and eventual marriage.

“Dear Jack, Dear Louise” is set to make its South Florida debut December 20th as the opening production of the Red Barn’s 43rd Season in Key West, with a run that goes through January 14th of 2023. It will star Key West favorites Jessica Miano Kruel as Louise Rabiner, an aspiring actress and dancer in New York, and Cody Borah as Captain Jack Ludwig, a military doctor then stationed in Oregon. The Barn’s Artistic Director, Joy Hawkins, will direct.

“It’s a good, old-fashioned story,” Hawkins said. “And I think it’s special to have such an unabashed love story in these times. It takes you back. And it’s pertinent right now as we’re dealing with war in the world. It’s sweet, it’s funny, but it’s also real – these were real people, living real lives, and we’re privileged to watch how they managed to fall in love under such circumstances.”

Ludwig and Rabiner, living on opposite sides of the country in 1942, strike up a correspondence at the urging of their parents, who were old friends. They find a rapport right away – he encouraging her with auditions, she commiserating over his hardass commanding officer. It’s not all fun and games, though, as the ugly situation in the world encroaches on their connection.

The show isn’t schmaltzy either, in great part due to the way it’s staged, with the two characters on stage together but separately – he in his world on one side of the stage, and she in hers on the other. The beauty of the play is in the way the characters build chemistry in front of the audience’s eyes without ever looking at one another. And they’re not reading the letters – they’re living the words we understand they wrote.

“It’s captivating to watch,” Hawkins said. “We’re not sure they’ll ever get together, but it’s a beautiful ending. I hope the audience will feel connected to their own experiences, and maybe those of their own parents.”

The Washington Post said the play is “…a poignant, funny tribute to the enduring power of human connection.” The Lit Arts Maven said, “One of the finest theatre experiences I have had in 25 years of reviewing.”

“Dear Jack, Dear Louise” runs December 20 – January 14, excepting Christmas Eve and Christmas, and New Year’s Eve and New Year’s Day. Tickets are available at redbarntheatre.com/tickets or by calling 305-296-9911, 3-5 pm weekdays.

The Red Barn season is sponsored in part by the Monroe County Tourist Development Council, and the State of Florida Division of Cultural Affairs.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release

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The best seats in the house are now on sale at Key West’s Red Barn Theatre for their big 42nd season of top-flight professional stage entertainment. Individual per-show tickets and a four-show season subscription are available online on their website and by phone at their box office.

As usual, Red Barn Artistic Director Joy Hawkins has put together an eclectic mix of comedy, drama, and music, featuring stellar new works from playwrights Ken Ludwig, Michael McKeever, and Jane Martin.

Kicking off the season December 20 through January 14, 2023 is Ludwig’s poignant “Dear Jack, Dear Louise”. Sparks fly and love blossoms across the darkened landscape of World War II, when Jack, a U.S. Army doctor, begins a letter correspondence with Louise, an aspiring actress living a world away from his war-torn reality. The play won the Helen Hayes and Charles MacArthur award for Best New Play of 2020. It will feature Jessica Miano Kruel and Cody Borah.

From January 31 through February 25, be ready to take a wild and crazy ride into the classic mash-up spoof of a Western-Horror “B” movie with Jane Martin’s hilarious “Flaming Guns of the Purple Sage”. Big 8, a rodeo competitor, is facing foreclosure on the Wyoming ranch where she rehabilitates injured rodeo cowboys. The arrival of a shocking woman named Shedevil and a one-eyed Ukrainian biker named Black Dog leads to violence and horror in this satire of pulp western writers like Zane Grey. It will feature George DiBraud, Susannah Wells, Cassidy Timms Iain Wilcox, Tim Dahms, and Mathias Maloff.

Michael McKeever’s new play, “The Code” will grace the Red Barn stage March 7-25, as McKeever revisits one of his favorite subjects, Hollywood. It’s 1950, and Billy Haines, Henry Wilson, Tallulah Bankhead, and a beautiful young man have gathered for cocktails, caviar, and all-out war. With great humor and stinging insight, “The Code” explores the hypocrisy of what it takes to be a man in the land of make-believe. It will feature Tom Wahl, David Black, Mary Falconer, and Gabriell Salgado.

The Barn’s 42nd season ends with one of it’s always-popular favorites, “Short Attention Span Theatre, 2023”. The funny and fast-paced evening is filled with pertinent and hilarious short plays, helmed by a group of directors guiding a big handful of favorite Key West actors.  You never know what you’ll see next at SAST!

And finally, tucked into the transition period between Ludwig’s and Martin’s plays will be a special musical event, “Back in Baby’s Arms”, January 18 through 21, 2023. The show features the voice and stylings of Christine Mild, who has played Patsy Cline in the popular “Always, Patsy Cline” play dozens of times, including a sold-out run at the Red Barn in 2018. Expect to hear many of Cline’s biggest hits, with the stellar accompaniment of arranger/pianist Jim Rice and trio.

Also, make plans to attend the Red Barn’s annual fundraising party, January 15 at the Oldest House on Duval Street. Christine Mild will be featured in performance at the party. Full details to follow –- watch the Red Barn website.

Tickets for any and all shows can be purchased on the Red Barn website – redbarntheatre.com – or by calling their box office at 305-296-9911. If they happen to be busy, leave a message and they’ll get right back to you. Tickets are $53 for Opening Nights, which includes admission to the Opening Night After-Party, and $48 for all other shows of a run. There’s a Four-Show Subscription available that offers a ticket to all mainstage shows, priced at $153, a 20% discount to the single ticket prices.

The Red Barn season is sponsored in part by the Monroe County Tourist Development Council, and the State of Florida Division of Cultural Affairs.

PRESS RELEASE
For further information, call: Bob Bowersox at 302-540-6102

For Immediate Release

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Key West’s Red Barn Theatre will be holding audition interviews with any actors interested in working in their upcoming 2022-23 season, which will open in December of this year.

The interviews will be held at the theatre at 319 Duval Street (behind the Woman’s Club) in Key West on May 28, from noon to 3 pm.

Artistic Director Joy Hawkins said that she will not be holding actual auditions for specific parts, but conducting preliminary interviews with actors to determine what possibilities there will be to fill uncast roles in the upcoming season. Formal auditions may be held later. The Red Barn Theatre is a professional company and all roles will be paid.

Hawkins is particularly looking for younger attractive men in their 20s and 30s, and character men in their 30s to 50s. Shows to be cast include “Dear Jack, Dear Louise” by Ken Ludwig, “Flaming Guns of the Purple Sage” by Jane Martin, “The Code” by Michael McKeever, and the Red Barn’s perennially popular “Short Attention Span Theatre” (SAST). All types and genders will more than likely be needed for SAST, as the show is comprised of several short plays that require a varied cast of men and women of all ages. Those plays are still to be determined.

Interested actors with questions are encouraged to text Joy Hawkins at (305-509-0917) or email her at (hawkinswells@gmail.com).

Please be advised that there is no parking at The Red Barn Theatre.  Actors may park bikes there.